About me
Ask a murder of crows about Tomb Svalborg, and the general description would be “our gentle giant that brings peanuts”. But I’m sorry to report that I’m only a giant if you happen to be crow-sized.
If you arrived here from the front page, you probably already know the basics. I’m a Swedish writer. I’m autistic. I sometimes create instrumental music, and I have a tendency to befriend corvids.
But why? Well, crows are uniquely clever birds that bring me joy and fun. So that one is easy. Music is, well, just another medium to tell stories.
But why do I write?
Initially, I didn’t enjoy reading and writing. Not until my mother introduced me to comic books when I was around the age of five or six. The stories of a certain webslinger led to my first tale on paper.
It was about a young boy entering a forest and ending with him being devoured in a cave. (Prior to being devoured, he had met a creature with one leg entirely made out of hair and bats with metal nails around their eyes. Spooky stuff. Normal kid stuff, you know?) I didn’t actually write the story. I asked my mother to transcribe what I told her on top of my drawings. She was very supportive.
Naturally, with that kind of origin story, you might assume I was going to be an artist. Alas, it was not meant to be. In first grade, I took one look at another kid’s drawing of a great white shark that spanned the entirety of four taped A4s (!!!) and decided drawing wasn’t my thing.
But hey, I did continue to write!
After primary school, I ended up at a cultural centre as part of the Individuella programmet (IV) gymnasium.
There, I wrote a play for younger children. A story in which a girl falls asleep in a toy store and wakes up to find herself shrunk to the size of a toy. She goes on a journey to defeat a ratdragon and rescue the hapless robot prince. Along the way, she meets a lecturing snail, a rhyming marionette, and an optimistic mime wielding a juggling bat.
I played the wispy narrator. Armed with an oversized book and tasked with pausing time for scene transitions.
The theater director may be considered my first editor, now that I think about it. With notes like “Can the mime fall asleep in this scene? Death might be a bit, you know, for a five-year-old…”
Online, I have written shorter fiction for friends’ roleplaying games, angsty poems, and oversharing blog posts. And I used to write articles for a nerdy website together with a couple of friends.
Oh, and a ‘What if dinosaurs had guns?‘-webcomic titled Krig RAWR. Drawn by my incredibly talented friend Mirjam Löfgren. One chapter ended up being published in (nowadays retired) Utopi magazine! There is even a hilarious TVtrope Wiki entry about the comic!
We never had it in us to finish Krig RAWR. But due to Mirjam’s fantastic art, we landed a book deal with Rabén & Sjögren.
Together, we created Dinosaga. A comic book for 6–9-year-olds that tells the story of Kroo. A carnivore dinosaur that hatches into a family of herbivores and the adventures and hardships they endure. With Dinosaga published, I could start calling myself an author. But mostly, it is my friends who do that. Normally, following a script that goes something like:
INT. FRIEND’S LIVING ROOM – NIGHT
Tomb Svalborg, blue hair, tired, sits in the same spot as they always do during a party. A friend pops up from behind the sofa with a stranger.
TOMB’S FRIEND
Hey Tomb! Have you met Florbeglorp? No? Well, this is Florbeglorp!
TOMB
Hi. I’m Tomb.
FLORBEGLORP
Hi. I’m Florbeglorp.
TOMB
…
FLORBEGLORP
…
TOMB’S FRIEND
Hey Florbeglorp! Did you know Tomb is an author? They written a book with dinosaurs!!
And then the friend evaporates into thin air or escapes while doing their best alien crab doctor impression, leaving me with a stranger and forced small talk about writing. Which I’m not particularly good at. Another thing I’m not particularly good at is endings.
I guess this is all there is to know about me.
Hold on, Tomb—you still didn’t answer the question! Why do you write?
Uhh . . . Because I